Years ago, I encountered a Maserati 5000 GT from the 1960s, finished in the shade now known as Maserati Blu Nobile. The presence of that car was unforgettable - stylish, sovereign, effortlessly powerful. I was immediately captivated.

For a long time, I carried the desire to transfer that exact color onto one of my instruments, to study how its depth and shifting light would behave on a surface created by my own hands.

The inlay colors pay tribute to the original interior of the historic 5000 GT, completing the aesthetic dialogue with this extraordinary automobile.

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